About Michele White
“My career as a designer jeweller happened purely by chance, and can be totally blamed on our Persian cat, 'Crystal'!”
My first career was as an art teacher, concentrating in particular on ceramics. I took a career break when my first child was born and subsequently had two more children. When I wanted to start work again, teaching ceramics was not very appealing. By that time, Crystal had been a member of the family for about ten years, and as I combed her long white hair every day, I had bags full of the stuff. Since my childhood I have been an avid knitter, so the solution was obvious - spinning and weaving.
By the time I had queued for an hour to enrol in a spinning evening class, I was not willing to give up when told that the classes only happened during the day! Looking quickly down the list my eyes lighted upon a jewellery class - so that was it! Making it myself was the only way I was going to ever have any, anyway!
When the evening class folded to save money (this was the 1980's), I transferred to the School Of Jewellery in Birmingham. Born and bred in London, I was ignorant of the history and importance of jewellery in Birmingham - so again it was just serendipity.
Design works the same whether it is ceramics or jewellery; the medium just defines the way the design develops. Early on I went to an exhibition of the jeweller Renee Lalique. I loved what his work looks like - it doesn't matter what material or gemstones he used, they always enhance the beauty of his art. This truly inspired me, and a subtle Art Nouveau style can often be found in my work. I also love to use gemstones that stand out from the ordinary; those with an interesting inclusion or unusual cut, and these are often the creative impetus for the way the piece develops.
So, thanks to our Persian cat, a non-flexible spinning class and the genius of Lalique, I am now a jeweller who absolutely adores her occupation.
Birmingham Society of Artists Membership
“I have been a member of the Birmingham Society of Artists for some years and in 2000 the Gallery moved from the city centre to the Jewellery Quarter. HRH Prince Charles came to open the new gallery. I was asked to make a stock pin as a presentation for him and was one of the members chosen to be presented to him.”